2016年10月17日 星期一

MRS. DALLOWAY by Virginia Woolf (1925)

此本小說有好幾個翻譯版本。
Everyman's Library
"Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame. Where there is nothing, Peter Walsh said to himself; feeling hollowed out, utterly empty within."
―from MRS. DALLOWAY by Virginia Woolf (1925)
MRS. DALLOWAY chronicles a June day in the life of Clarissa Dalloway–a day that is taken up with running minor errands in preparation for a party and that is punctuated, toward the end, by the suicide of a young man she h⋯⋯
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2016年10月16日 星期日

BOB DYLAN - Mr Tambourine Man:British singer Billy Bragg says he'd never heard poetry like Bob Dylan before.

British singer Billy Bragg says he'd never heard poetry like Bob Dylan before. 📻



BOB DYLAN - Mr Tambourine Man



Mr. Tambourine Man - Wikipedia


YouTube
https://www.youtube.com/watch?v=PYF8Y47qZQY

Mr Tambourine Man Lyrics
[Chorus]
Hey! Mr. Tambourine Man, play a song for me
I'm not sleepy and there is no place I'm going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I'll come following you

[Verse 2]
Take me on a trip upon your magic swirling ship
My senses have been stripped, my hands can't feel to grip
My toes too numb to step, wait only for my boot heels
To be wandering

I'm ready to go anywhere, I'm ready for to fade
Into my own parade, cast your dancing spell my way

I promise to go under it

[Chorus]
Hey! Mr. Tambourine Man, play a song for me
I'm not sleepy and there is no place I'm going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I'll come following you

[Verse 3]
Though you might hear laughing, spinning swinging madly across the sun
It's not aimed at anyone, it's just escaping on the run
And but for the sky there are no fences facing
And if you hear vague traces of skipping reels of rhyme
To your tambourine in time, it's just a ragged clown behind
I wouldn't pay it any mind, it's just a shadow you're
Seeing that he's chasing


[Chorus]
Hey! Mr. Tambourine Man, play a song for me
I'm not sleepy and there is no place I'm going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I'll come following you

[Verse 4]
Then take me disappearing through the smoke rings of my mind
Down the foggy ruins of time, far past the frozen leaves
The haunted, frightened trees, out to the windy beach

Far from the twisted reach of crazy sorrow

Yes, to dance beneath the diamond sky with one hand waving free
Silhouetted by the sea, circled by the circus sands
With all memory and fate driven deep beneath the waves
Let me forget about today until tomorrow


[Chorus]
Hey! Mr. Tambourine Man, play a song for me
I'm not sleepy and there is no place I'm going to
Hey! Mr. Tambourine Man, play a song for me
In the jingle jangle morning I'll come following you

http://genius.com/Bob-dylan-mr-tambourine-man-lyrics

******
Mr tambourine man
嘿!鈴鼓先生,為我奏一曲
我還不想睡,而且無處可歸 
嘿!鈴鼓先生,為我奏一曲
在這鏗鏘的早晨
讓我與你同去

儘管我知道,黃昏的帝國已經歸於塵土,
從我的手心消逝,
扔下我茫然在此佇立,卻了無睏意
我筋疲力竭,驚奇不已,
兩隻腳都烙著印記,
我不會和誰相遇,
古遠無人的街上不宜夢想,太過死寂
嘿!鈴鼓先生,為我奏一曲
我還不想睡,而且無處可歸
嘿!鈴鼓先生,為我奏一曲
在這鏗鏘的早晨
讓我與你同去
帶我上路吧,登上你魔樣渦漩的船,
我的知覺褪盡,雙手難以抓緊,
腳趾麻木,再也挪不動步子,
只能等待靴跟,任它們四處遊蕩
我準備出發,無論去向何方,
我願意消失,藏身自己的遊行隊伍
且向我施你的跳舞咒語,
我一定聽從它的魔力
嘿!鈴鼓先生,為我奏一曲
我還不想睡,而且無處可歸
嘿!鈴鼓先生,為我奏一曲
在這鏗鏘的早晨
讓我與你同去
儘管你也許聽見笑聲,旋轉著,
瘋狂地擺盪,橫越烈陽,
那並不針對誰,只是一場逃亡
況且藍天之外,別無柵欄阻擋
若你還聽見模糊的痕跡,
韻腳跳躍旋轉,與你的鈴鼓唱和,
那祇是一個小丑,跟在身後,破衣爛衫
我並不介意,畢竟他要捕捉的,只是
你眼裡的一抹影子
嘿!鈴鼓先生,為我奏一曲
我還不想睡,而且無處可歸
嘿!鈴鼓先生,為我奏一曲
在這鏗鏘的早晨
讓我與你同去
然後帶我消失,穿過意識的重重煙圈,
沈入霧氣籠罩的時光廢墟,
越過結冰的寒葉,遠離陰森戰慄的樹木,
來到多風的沙灘,
和瘋狂憂愁的曲折邊界,遙遙隔開
是的,在鑽石的天空下起舞,
一隻手自在地揮呀揮
側影反襯著海水,
四周是圓場的黃沙
帶著一切記憶與命運,
深深潛到波濤之下,
且讓我忘卻今日,直到明天
嘿!鈴鼓先生,為我奏一曲
我還不想睡,而且無處可歸
嘿!鈴鼓先生,為我奏一曲
在這鏗鏘的早晨
讓我與你同去
(馬世芳譯)

Bob Dylan - Why Try To Change Me Now

In the absence of any public statement about what the Nobel Prize may mean to him, it struck at least one member of the Desert Trip audience as he caressed the melody and lyrics of “Why Try to Change Me Now” that it might be his way of saying, “Thanks, but if you want to hear the kind of songwriting that moves me, check this out.”
“Why can’t I be conventional?” Dylan sang. “People talk, people stare, so I try/But that’s not for me, ’cause I can’t see/My kind of crazy world passing me by.”
What reaction statement issued in a news release could have crystallized a lifetime’s artistry more eloquently than that?


Bob Dylan - Why Try To Change Me Now (cover from "SHADOWS IN THE NIGHT")
https://www.youtube.com/watch?v=CqMyiu4XEeU


Why Try to Change Me Now Lyrics



Read more: Bob Dylan - Why Try To Change Me Now Lyrics | MetroLyrics 


I'm sentimental
So I walk in the rain
I've got some habits
Even that I can't explain
Could start for the corner
Turn up in Spain
Why try to change me now
I sit and daydream
I've got daydreams galore
Cigarette ashes
There they go on the floor
I go away weekends
And leave my keys in the door
But why try to change me now
Why can't I be more conventional
People talk
People stare
So I try
But that's not for me
'Cause I can't see
My kind of crazy world
Go passing me by
So let people wonder
Let 'em laugh
Let 'em frown
You know I'll love you
Till the moon's upside down

Don't you remember
I was always your clown
Why try to change me now


Songwriters
CY COLEMAN, JOSEPH MCCARTHY JR.


Read more: Bob Dylan - Why Try To Change Me Now Lyrics | MetroLyrics 

2016年10月15日 星期六

(A Tribute To) Bob Dylan – Forever Young

Bob Dylan & The Band "Forever Young" - A Tribute To Bob Dylan ...

Bob Dylan & The Band "Forever Young" - A Tribute To Bob Dylan

https://www.youtube.com/watch?v=P1fSVbBwVX8

Bob Dylan – Forever Young Lyrics

May God bless and keep you always
May your wishes all come true
May you always do for others
And let others do for you
May you build a ladder to the stars
And climb on every rung
May you stay forever young
Forever young, forever young
May you stay forever young.

May you grow up to be righteous
May you grow up to be true
May you always know the truth
And see the lights surrounding you
May you always be courageous
Stand upright and be strong
May you stay forever young
Forever young, forever young
May you stay forever young.

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
And may your song always be sung
May you stay forever young
Forever young, forever young
May you stay forever young.
Songwriters: BOB DYLAN
Forever Young lyrics © BOB DYLAN MUSIC CO

BOB DYLAN - Like a Rolling Stone



Like a Rolling Stone - Bob Dylan - YouTube

www.youtube.com/watch?v=4F0ytNzHDj8


https://vimeo.com/149690323
Bob Dylan – Like A Rolling Stone Lyrics

Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn't you?
People call say 'beware doll, you're bound to fall'
You thought they were all kidding you
You used to laugh about
Everybody that was hanging out
Now you don't talk so loud
Now you don't seem so proud
About having to be scrounging your next meal

How does it feel, how does it feel?
To be without a home
Like a complete unknown, like a rolling stone

Ahh you've gone to the finest schools, alright Miss Lonely
But you know you only used to get juiced in it
Nobody's ever taught you how to live out on the street
And now you're gonna have to get used to it
You say you never compromise
With the mystery tramp, but now you realize
He's not selling any alibis
As you stare into the vacuum of his eyes
And say do you want to make a deal?

How does it feel, how does it feel?
To be on your own, with no direction home
A complete unknown, like a rolling stone

Ah you never turned around to see the frowns
On the jugglers and the clowns when they all did tricks for you
You never understood that it ain't no good
You shouldn't let other people get your kicks for you
You used to ride on a chrome horse with your diplomat
Who carried on his shoulder a Siamese cat
Ain't it hard when you discovered that
He really wasn't where it's at
After he took from you everything he could steal

How does it feel, how does it feel?
To have you on your own, with no direction home
Like a complete unknown, like a rolling stone

Ahh princess on a steeple and all the pretty people
They're all drinking, thinking that they've got it made
Exchanging all precious gifts
But you better take your diamond ring, you better pawn it babe
You used to be so amused
At Napoleon in rags and the language that he used
Go to him now, he calls you, you can't refuse
When you ain't got nothing, you got nothing to lose
You're invisible now, you've got no secrets to conceal

How does it feel, ah how does it feel?
To be on your own, with no direction home
Like a complete unknown, like a rolling stone
Songwriters: BOB DYLAN


Like a Rolling Stone - Wikipedia

https://en.wikipedia.org/wiki/Like_a_Rolling_Stone
"Like a Rolling Stone" is a 1965 song by the American singer-songwriter Bob Dylan. Its confrontational lyrics originated in an extended piece of verse Dylan ...
Released‎: ‎July 20, 1965
Genre‎: ‎Rock‎, ‎folk rock
Recorded‎: ‎June 15–16, 1965, Columbia Studio ...
Length‎: ‎6:13



Bob Dylan "Like A Rolling Stone" - Official Interactive Video!

video.bobdylan.com/
Revolutionary technology sparks first official video for Bob Dylan's "Like A Rolling Stone"

In the news
Image for the news result
The Life of a Song: Like a Rolling Stone
Financial Times - 2 days ago
In 2014, the handwritten lyrics to “Like a Rolling Stone” became the most expensive popular ...

"God Pity Me Whom(God Distinctly Has)" 、 "Humanity I Love You" by E. E. Cummings

Poet Edward Estlin Cummings was born in Cambridge, Massachusetts, on this day in 1894.
"God Pity Me Whom(God Distinctly Has)" by E. E. Cummings
god pity me whom(god distinctly has)
the weightless svelte drifting sexual feather
of your shall i say body?follows
truly through a dribbling moan of jazz
whose arched occasional stepped youth swallows
curvingly the keeness of my hips;
or,your first twitch of crisp boy flesh dips
my height in a firm fragile stinging weather,
(breathless with sharp necessary lips)kid
female cracksman of the nifty,ruffian-rogue,
laughing body with wise breasts half-grown,
lisping flesh quick to thread the fattish drone
of I Want a Doll,
wispish-agile feet with slid
steps parting the tousle of saxophonic brogue.
*
Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them. From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force—one that Jazz Poems makes palpable. We hear it in the poems of Langston Hughes, E. E. cummings, William Carlos Williams, Frank O’Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz’s great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration. READ more here: http://knopfdoubleday.com/book/195165/jazz-poems/

~~~
Poet Edward Estlin Cummings was born in Cambridge, Massachusetts, on this day in 1894.
"Humanity I Love You" by E. E. Cummings
Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both
parties and because you
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard
Humanity i love you because
when you’re hard up you pawn your
intelligence to buy a drink and when
you’re flush pride keeps
you from the pawn shop and
because you are continually committing
nuisances but more
especially in your own house
Humanity i love you because you
are perpetually putting the secret of
life in your pants and forgetting
it’s there and sitting down
on it
and because you are
forever making poems in the lap
of death Humanity
i hate you
*
Cummings, in his radical experimentation with form, punctuation, spelling, and syntax, created a new kind of poetic expression. Because of his powerful work, he became a generation’s beloved heretic—at the time of his death he was one of the most widely read poets in the United States. Now, in this rich, illuminating biography, Susan Cheever traces the development of the poet and his work. She takes us from Cummings’s seemingly idyllic childhood in Cambridge, Massachusetts, through his years at Harvard (rooming with Dos Passos, befriending Malcolm Cowley and Lincoln Kirstein). There, he devoured the poetry of Ezra Pound, whose radical verses lured the young writer away from the politeness of the traditional nature poem towards a more adventurous, sexually conscious form. We follow Cummings to Paris in 1917, and, finally, to Greenwich Village to be among other modernist poets of the day—Marianne Moore and Hart Crane, among them. E. E. Cummings is a revelation of the man and the poet, and a brilliant reassessment of the freighted path of his legacy. READ an excerpt here: http://knopfdoubleday.com/book/212479/e-e-cummings/

2016年10月14日 星期五

BOB DYLAN - Desolation Row

Desolation Row - Wikipedia

各家/自家說法不一
~~~歌
https://www.youtube.com/watch?v=35gheud5xBo
~~~詞
http://bobdylan.com/songs/desolation-row/

Desolation Row

WRITTEN BY: BOB DYLAN
They’re selling postcards of the hanging
They’re painting the passports brown
The beauty parlor is filled with sailors
The circus is in town
Here comes the blind commissioner
They’ve got him in a trance
One hand is tied to the tight-rope walker
The other is in his pants
And the riot squad they’re restless
They need somewhere to go
As Lady and I look out tonight
From Desolation Row

Cinderella, she seems so easy
“It takes one to know one,” she smiles
And puts her hands in her back pockets
Bette Davis style
And in comes Romeo, he’s moaning
“You Belong to Me I Believe”
And someone says, “You’re in the wrong place my friend
You better leave”
And the only sound that’s left
After the ambulances go
Is Cinderella sweeping up
On Desolation Row

Now the moon is almost hidden
The stars are beginning to hide
The fortune-telling lady
Has even taken all her things inside
All except for Cain and Abel
And the hunchback of Notre Dame
Everybody is making love
Or else expecting rain
And the Good Samaritan, he’s dressing
He’s getting ready for the show
He’s going to the carnival tonight
On Desolation Row

Now Ophelia, she’s ’neath the window
For her I feel so afraid
On her twenty-second birthday
She already is an old maid
To her, death is quite romantic
She wears an iron vest
Her profession’s her religion
Her sin is her lifelessness
And though her eyes are fixed upon
Noah’s great rainbow
She spends her time peeking
Into Desolation Row

Einstein, disguised as Robin Hood
With his memories in a trunk
Passed this way an hour ago
With his friend, a jealous monk
He looked so immaculately frightful
As he bummed a cigarette
Then he went off sniffing drainpipes
And reciting the alphabet
Now you would not think to look at him
But he was famous long ago
For playing the electric violin
On Desolation Row

Dr. Filth, he keeps his world
Inside of a leather cup
But all his sexless patients
They’re trying to blow it up
Now his nurse, some local loser
She’s in charge of the cyanide hole
And she also keeps the cards that read
“Have Mercy on His Soul”
They all play on pennywhistles
You can hear them blow
If you lean your head out far enough
From Desolation Row

Across the street they’ve nailed the curtains
They’re getting ready for the feast
The Phantom of the Opera
A perfect image of a priest
They’re spoonfeeding Casanova
To get him to feel more assured
Then they’ll kill him with self-confidence
After poisoning him with words
And the Phantom’s shouting to skinny girls
“Get Outa Here If You Don’t Know
Casanova is just being punished for going
To Desolation Row”

Now at midnight all the agents
And the superhuman crew
Come out and round up everyone
That knows more than they do
Then they bring them to the factory
Where the heart-attack machine
Is strapped across their shoulders
And then the kerosene
Is brought down from the castles
By insurance men who go
Check to see that nobody is escaping
To Desolation Row

Praise be to Nero’s Neptune
The Titanic sails at dawn
And everybody’s shouting
“Which Side Are You On?”
And Ezra Pound and T. S. Eliot
Fighting in the captain’s tower
While calypso singers laugh at them
And fishermen hold flowers
Between the windows of the sea
Where lovely mermaids flow
And nobody has to think too much
About Desolation Row

Yes, I received your letter yesterday
(About the time the doorknob broke)
When you asked how I was doing
Was that some kind of joke?
All these people that you mention
Yes, I know them, they’re quite lame
I had to rearrange their faces
And give them all another name
Right now I can’t read too good
Don’t send me no more letters, no
Not unless you mail them
From Desolation Row
Copyright © 1965 by Warner Bros. Inc.; renewed 1993 by Special Rider Music