2020年2月16日 星期日

The Story of Sigurd the Volsung and the Fall of the Niblungs (1876)






其中的〈西格德〉(Sigurd) 這個故事則是由威廉・莫里斯 (William Morris) 的某篇散文編輯而成。......劉夏泱
補充"Sigurd, the Volsung is the second great English epic of our generation...and it ranks after Tennyson's "Arthuriad" in order of time only. It fully equals that monumental work in the force and pathos of the story told, while it surpasses it in unity and continuity of interest." https://en.wikipedia.org/....../The_Story_of_Sigurd......
The Story of Sigurd the Volsung and the Fall of the Niblungs - Wikipedia
EN.WIKIPEDIA.ORG
The Story of Sigurd the Volsung and the Fall of the Niblungs - Wikipedia

2020年2月15日 星期六

« Macbeth » Act I. Scene VII

Source: William Shakespeare: « Macbeth » Act I. Scene VII
這"馬克白"中文近十本 現在抄錄呂健忠先生以詩體翻譯的 (台北:書林 1999 pp.124-25)

MACBETH. If it were done when 'tis done, then 'twere well
It were done quickly. If the assassination
Could trammel up the consequence, and catch,
With his surcease, success; that but this blow
Might be the be-all and the end-all -here,
But here, upon this bank and shoal of time,
We'ld jump the life to come....

如果幹了就了結 那就該
快點幹才好:如果這一殺
可以一網打盡後患 伸手
捕勝數為他送終:只這麼一下
就大功告成一了百了--這裡
在這片時光之海的沙洲
不妨跳過來生.....


梁實秋

如果這事做成了就算完事 那麼這事是愈 快做成愈妙:如其此番暗殺能把後患一網打盡 於暗殺完成之時便算穩獲勝利: 如其只此一擊便可實現一生懷抱 我僅僅說這一生 在這時間之海的淺瀨上 --那麼我們寧可冒了死後的危險而不惜一試了 (註)

2020年2月14日 星期五

‘Come back and lay your hands on me, / the sensuous feelings that I love’ – C. P. Cavafy

‘Come Back’

Valentine’s Day: ‘Come back and lay your hands on me, / the sensuous feelings that I love’ – C. P. Cavafy

“Idid a little to spread his fame. It was about the best thing I ever did”, wrote E. M. Forster about the Greek poet C. P. Cavafy (1863–1933) whom he met in Alexandria in 1915 when he was working for the Red Cross and whose refreshing rejection of the tyranny of Hellenic classicism helped liberate Forster from the idealized Greece he had been fed at Victorian public school. Cavafy showed him it was possible to integrate sexual drives into a larger world-view and, after the war, Forster embarked on an energetic campaign to secure his friend a readership beyond Greece. In 1923 he included Cavafy’s poem “The God Abandons Antony” in his book Pharos and Pharillon (in his TLS review, John Middleton Murry notes that Forster “first gained the courage of his own vision” in Cavafy’s Alexandria), and he worked hard both to persuade Cavafy to allow his poems to be translated and to place them in British journals: “Come Back” – a poem from 1912 – was one of four that appeared in Oxford Outlook in February 1924. But a combination of Cavafy’s own ambivalence about publication (he circulated his poems in pamphlet form privately among friends) and the difficulty of getting Cavafy’s favoured translator, George Valassopoulo, to produce English versions quickly enough meant that no collection in English appeared in the poet’s lifetime. Not until 1935, after the entire Cavafy canon had been posthumously published in Greek, did John Mavrogordato translate it into English, and even this did not appear until 1951.
Forster was understandably reticent about both his own and Cavafy’s homosexuality (it would be another decade after Mavrogordato’s edition before W. H. Auden could say, in his introduction to Rae Dalven’s translation of The Complete Poems, “the erotic world he depicts is one of casual pickups and short-lived affairs”). But it is a reticence perhaps matched by the poet’s language. For Cavafy, an immediate impression is not enough for a poem: it “must age, must fade itself, with time”. In this poem, for example, it seems that the speaker, beyond the specific sexual experience that “lips and flesh remember”, is creating a memorial to the shaping power of love.
Come Back
Come back and lay your hands on me,the sensuous feelings that I love. Come backwhen the body is receptive and on edge –
when yearning travels through the bloodas lips and flesh remember,when hands reach out to touch.
Come soon and often, the feeling that I love.Come back and hold me through the nightwhen lips and flesh remember.  
C. P. CAVAFY
Translated by Ian Parks (2015)

John Donne: Now this bell tolling softly for another,


Previous
For Whom the Bell Tolls
by
John Donne

Next
No man is an island,
Entire of itself.
Each is a piece of the continent,
A part of the main.
If a clod be washed away by the sea,
Europe is the less.
As well as if a promontory were.
As well as if a manor of thine own
Or of thine friend's were.
Each man's death diminishes me,
For I am involved in mankind.
Therefore, send not to know
For whom the bell tolls,
It tolls for thee.


This poem is in the public domain.


John Donne (1572 - 1631) was an English writer and poet. As a Catholic in a time when that denomination was illegal in England, he endured constant prejudice and harassment and was ultimately forced into joining the Anglican church by King James I. Early in his life, John earned a reputation as a playboy and spendthrift, but at 25, he fell in love with Anne More. Despite her father's scorn, the couple married, had a dozen children, and John became a devoted—if not financially successful—family man. His career forays included law, diplomatic service, and church leadership, but he is best remembered as the founder of a group called the "metaphysical” poets. Popular during his lifetime, then dismissed for many years as inferior because it was so different from other poetry of that time, John's work is today considered brilliant and his influence on literature legendary.



from

Devotions Upon Emergent Occasions


MEDITATION XVII.

N
UNC LENTO SONITU DICUNT, MORIERIS.

Now this bell tolling softly for another,
says to me, Thou must die.

PERCHANCE he for whom this bell tolls may be so ill as that he knows not it tolls for him.  And perchance I may think myself so much better than I am, as that they who are about me, and see my state, may have caused it to toll for me, and I know not that.  The church is catholic, universal, so are all her actions; all that she does, belongs to all.  When she baptizes a child, that action concerns me; for that child is thereby connected to that head which is my head too, and ingraffed into that body, whereof I am a member.  And when she buries a man, that action concerns me; all mankind is of one author, and is one volume; when one man dies, one chapter is not torn out of the book, but translated into a better language; and every chapter must be so translated; God employs several translators; some pieces are translated by age, some by sickness, some by war, some by justice; but God's hand is in every translation, and his hand shall bind up all our scattered leaves again, for that library where every book shall lie open to one another; as therefore the bell that rings to a sermon, calls not upon the preacher only, but upon the congregation to come; so this bell calls us all: but how much more me, who am brought so near the door by this sickness.

There was a contention as far as a suit (in which, piety and dignity, religion and estimation, were mingled) which of the religious orders should ring to prayers first in the morning; and it was determined, that they should ring first that rose earliest.  If we understand aright the dignity of this bell, that tolls for our evening prayer, we would be glad to make it ours, by rising early, in that application, that it might be ours as well as his, whose indeed it is.  The bell doth toll for him, that thinks it doth; and though it intermit again, yet from that minute, that that occasion wrought upon him, he is united to God.  Who casts not up his eye to the sun when it rises?  But who takes off his eye from a comet, when that breaks out? who bends not his ear to any bell, which upon any occasion rings?  But who can remove it from that bell, which is passing a piece of himself out of this world?

No man is an island,  entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were;  any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bell tolls; it tolls for thee.

Neither can we call this a begging of misery, or a borrowing of misery, as though we were not miserable enough of ourselves, but must fetch in more from the next house, in taking upon us the misery of our neighbors.  Truly it were an excusable covetousness if we did; for affliction is a treasure, and scarce any man hath enough of it.  No man hath afflicion enough, that is not matured and ripened by it, and made fit for God by that affliction.  If a man carry treasure in bullion or in a wedge of gold, and have none coined into current moneys, his treasure will not defray him as he travels.  Tribulation is treasure in the nature of it, but it is not current money in the use of it, except we get nearer and nearer our home, heaven, by it.  Another may be sick too, and sick to death, and this affliction may lie in his bowels, as gold in a mine, and be of no use to him; but this bell that tells me of his affliction, digs out, and applies that gold to me: if by this consideration of another's danger, I take mine own into contemplation, and so secure myself, by making my recourse to my God, who is our only security.



Source:
Donne, John. The Works of John Donne. vol III.
Henry Alford, ed.
London: John W. Parker, 1839. 574-5.





本港不少信徒存有美麗的迷思,就是安定繁榮、遠離災難;如同畢德生(Eugene Peterson) 所言 :「我們渴想的生命是安全與舒適的,我們渴想事物受到控制,我們極想排除邪惡、危險及災難。」(Where Your Treasure Is)。現今無情的「武漢肺炎」肆虐,我們發現原來的信念難以對應世事的荒謬 !
面對「武漢肺炎」,我們對「 無能、無信、無德的林鄭政府」(周永新語) 感到忿怒、無奈與失望,又對隨時入侵的病毒心存疑慮與恐懼。筆者不期然想起約翰鄧恩 (或譯約翰多恩、唐約翰,John Donne,1572-1631),這位英國著名詩人兼牧師,乃是疫境中與我們同行的良朋益友。

2020年2月3日 星期一

Milton Sonnet 16, When I consider how my light is spent,

Milton Sonnet 16


羅杰罹病後,歷經所有免疫系統崩潰的折騰,白老鼠似的嚐百草試新藥,「用手邊任何東西拼製了一件武器,就像牢獄裡的犯人把一隻湯匙柄磨成一把小匕首。你勇猛地奮戰,你狠毒地奮戰…」

器官逐樣失能和衰竭。失明前,羅杰用破碎的聲音,朗誦密爾頓寫失明的十四行詩:「當我思量我的光是如何消逝時/在我半生之前,在這黑暗的世界而遼闊……」他知道自己掌上的生命線中止於何處。

Sonnet 16


When I consider how my light is spent,
E're half my days, in this dark world and wide,
And that one Talent which is death to hide,
Lodg'd with me useless, though my Soul more bent
To serve therewith my Maker, and present
My true account, least he returning chide,
Doth God exact day-labour, light deny'd,
I fondly ask; But patience to prevent
That murmur, soon replies, God doth not need
Either man's work or his own gifts, who best
Bear his milde yoak, they serve him best, his State
Is Kingly. Thousands at his bidding speed
And post o're Land and Ocean without rest:
They also serve who only stand and waite.

2020年2月2日 星期日

“The earth has music for those who listen”

“The Earth has Music for Those Who Listen”
by Dulac (1882-1953). Probably from his illustrations for the 1909 Rubaiyat of Omar Khayyam.
“Ah Love! could you and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits–and then
Re-mold it nearer to the Heart’s Desire!”
~from “The Rubaiyat”

The earth has music for those who listen - National Geographic

Top Image: The skeleton of Liaoconodon, from Meng et al., 2011.
A note about the title: The line “The earth has music for those who listen” has often been attributed William Shakespeare, but this appears to be a mistake. How this line turned into a meme credited to him is unclear. Still, I thought it fitting for a post about fossils and the evolution of hearing.

2020年1月25日 星期六

Scottish poet Robert Burns,


Tonight is #BurnsNight – a celebration of the life and work of the Scottish poet Robert Burns, who was born #onthisday in 1759.
This etching comes from an anthology of his poetry published in 1834. Will you be addressing a haggis tonight? http://ow.ly/3ujQ30q9Wx0

A Birmingham Post article by Chris Upton compares “The Tripe Eaters,” one of Freeth’s works, to Robert Burns’ “Address to a Haggis.” It begins “Of all the towns in England/ For tripe that’s fat and fair,/ There’s not one, I trow, that can/ With Birmingham compare,” and then launches into the “And a-triping we will go” refrain.


席哈克又提到前北大西洋公約組織秘書長羅伯森(George Robertson)曾請他品嘗「令人反胃的蘇格蘭菜」羊肉雜碎布丁(Haggis),他坦言:「這便是我們和北約麻煩的根源」,惹得普丁和施洛德大笑。普丁後來問:「那(英國的)漢堡又如何?」席哈克說:「不!不!漢堡根本不值一瞧。」。