It’s at this point in the story that Wolfe discovered “the smoking gun”. In the Brooke-Dethick feud, it becomes clear that “Shakespeare, Gent. from Stratford” and “Shakespeare the Player” are the same man. In other words, “the man from Stratford” is indeed the playwright. Crucially, in the long-running “authorship” debate, this has been a fiercely contested point. But Wolfe’s research nails any lingering ambiguity in which the Shakespeare deniers can take refuge.
Wolfe is circumspect about making extravagant claims. Speaking carefully, she says that her manuscript discoveries fill in gaps, illuminating Shakespeare’s character. “They point to someone actively involved in defining and defending his legacy in 1602, shortly after his father’s death.”
For Wolfe, it’s Shakespeare the man who breaks cover here. “He’s defending his legacy not only as a playwright but, most importantly to him, as a gentleman.” The derogatory references to arms belonging to “Shakespeare ye player”, she says, show that “he’s playing the same game as everyone else in the period, purchasing land in Stratford to support his case to ‘ancient’ gentility, rather than through his astonishing professional success”.
James Shapiro, bestselling author of 1599, who is persuaded by Wolfe’s discoveries, compares her to “a Sherlock Holmes of the archives”. Shapiro says that Wolfe “has had the intellectual independence to see what others have overlooked, the skills to make sense of what she has stumbled upon and the modesty not to trumpet the larger implications of those finds. But make no mistake: they are enormously consequential.”
For Shapiro, Wolfe’s work suggests future breakthroughs. “I doubt that these are the last archival treasures she will unearth. Her recent finds sharpen our sense of Shakespeare’s dogged pursuit of upward mobility. And it is one more nail in the coffin of those who can’t bring themselves to acknowledge that the glover’s son from Stratford was also the successful man of the theatre who left us so many extraordinary plays.”
Wolfe says she looks forward to “poking about” in the archives, and is convinced that Shakespeare’s identity no longer needs re-confirmation. “There is such a wealth of evidence out there that he’s the playwright.” She adds: “I’m sure there’s more untapped material waiting to be uncovered. Additional finds will certainly help us understand his life – as much as we can understand anyone’s life from 400 years ago.”