2019年6月16日 星期日

A history of “Ulysses”, an “unreadable, unquotable and unreviewable” novel



"Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air."
--from ULYSSES (1922)




昔日引言過分簡單,該整句引......The supreme question about a work of art is out of how deep a life does it spring. The painting of Gustave Moreau is the painting of ideas. The deepest poetry of ...
https://books.google.com.tw/books?isbn=8027235731


ideas, formless spiritual essences. The supreme question about a work of art isout of how deep a life does it spring. The painting of Gustave Moreau
294 bytes (11,699 words) - 17:01, 2 April 2011





“The supreme question about a work of art is out of how deep a life does it spring.”
―from ULYSSES (1922)
“Giacometti’s work helped revitalize sculpture at a time when most attention was focused on painting…his “walking” figures would come to immortalize the artist’s study in human frailty and resilience in the canon of art history.”—Tess Thackara (Artsy). Discover the artist’s tall and slender figures as they come alive on Frank Lloyd Wright’s spiral ramp this summer.


ARTSY.NET
After a wave of early popularity, the artist took a risk that baffled his peers—taking up the age-old subject of the human figure. History has vindicated him.


British war censors became convinced that James Joyce had written it in spy code. It was confiscated and burned, but men and women went to extraordinary lengths to smuggle it into Britain and America


ECONOMIST.COM

A history of “Ulysses”, an “unreadable, unquotable and unreviewable” novel
From the archive


2019年6月11日 星期二

The sun of Rome is set! Our day is gone; Clouds, dews, and dangers come; our deeds are done!


TITINIUS
No, this was he, Messala,
But Cassius is no more. O setting sun,
As in thy red rays thou dost sink to-night,
So in his red blood Cassius' day is set;
The sun of Rome is set! Our day is gone;
Clouds, dews, and dangers come; our deeds are done!
Mistrust of my success hath done this deed.



Once you rely on agents, you create conflicts of interest
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羅馬的太陽已經沉沒,

我們的白晝已經過去,

黑雲、夜露和危險正在

襲來,我們的事業已成
灰燼

Get an answer for 'In Shakespeare's Julius Caesar, Act 5, scene 3, Titinius ... extends the comparison stating that Cassius is the sun of Rome, and it has set.

The Tragedy of Julius Caesar

2019年6月8日 星期六

"I wake and feel the fell of dark, not day" by Gerald Manley Hopkins

Poet Gerald Manley Hopkins died in Dublin, Ireland on this day in 1889 (aged 44).

"I wake and feel the fell of dark, not day" by Gerald Manley Hopkins
I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.
With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.
I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.
*

2019年6月4日 星期二

"Meditation" by Charles Baudelaire

"Meditation" by Charles Baudelaire
Wise up, Sorrow. Calm down.
You always lay claim to twilight. Well, here it is, brother,
It descends. Obscurity settles over the town,
bringing peace to one, worry to another.
The restless crowd, whipped on by pleasure—
our dogged torturer—carry their hearts’ raw
remorse with them as they serve their vapid leisure,
while you, my Sorrow, drop by here, take my hand, and draw
me apart from them. We watch the dying years
in faded gowns lean out from heaven’s balconies, as Regret rears,
smiling, out of the deep dark where the dead ones march.
Dragging its long train—now a shroud—from its early light
in the East, the sun goes to sleep under an arch.
Listen, Sorrow, beloved, to the soft approach of Night.
*
Modern poetry begins with Charles Baudelaire (1821-67), who employed his unequalled technical mastery to create the shadowy, desperately dramatic urban landscape — populated by the addicted and the damned — which so compellingly mirrors our modern condition. Deeply though darkly spiritual, titanic in the changes he wrought, Baudelaire looms over all the work, great and small, created in his wake. READ more here: https://www.penguinrandomhouse.com/…/baudelaire-poems-by-c…/

2019年6月2日 星期日

The Cambridge Companion to George Bernard Shaw




George Bernard Shaw by Edward Steichen, Autochrome, four-color halftone. Camera Work, April 1908






此系列叢書,有複印本。上海外語教育出版社

The Cambridge Companion to George Bernard Shaw

Front Cover
Christopher Innes, Professor Christopher Innes
Cambridge University Press, Sep 24, 1998 - Drama - 343 pages
The Cambridge Companion to George Bernard Shaw is an indispensible guide to one of the most influential and important dramatists of the theatre. The volume offers a broad-ranging study of Shaw with essays by a team of leading scholars. The Companion covers all aspects of Shaw's drama, focussing both on the political and theatrical context, while the extensive illustrations showcase productions from the Shaw Festival in Canada. In addition to situating Shaw's work in its own time, the Companion demonstrates its continuing relevance, and applies some of the newest critical approaches.
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Modern British Drama: The Twentieth Century
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Contents

Shaws life a feminist in spite of himself
3
Imprinting the stage Shaw and the publishing trade 18831903
25
New theatres for old
55
New Women new plays and Shaw in the 1890s
76
Shaw the dramatist
101
Shaws early plays
103
Shavian comedy and the shadow of Wilde
124
Structure and philosophy in Man and Superman and Major Barbara
144
Reinventing the history play Caesar and Cleopatra Saint Joan In Good King Charless Golden Days
195
Shaws interstices of empire decolonizing at home and abroad
218
The later Shaw
240
Theatre work and influence
259
Shaw and the Court Theatre
261
Please remember this is Italian opera Shaws plays as musicdrama
283
Shaw and the popular context
309
Index
334
Nothing but talk talk talk Shaw talk Discussion Plays and the making of modern drama
162
The roads to Heartbreak House
180

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‹

Sep 24, 1998
No preview
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Popular passages

Page 188 - NOW, God be thanked Who has matched us with His hour, And caught our youth, and wakened us from sleeping, With hand made sure, clear eye, and sharpened power, To turn, as swimmers into cleanness leaping, Glad from a world grown old and cold and weary, Leave the sick hearts that honour could not move, And half-men, and their dirty songs and dreary, And all the little emptiness of love...‎
Page 15 - The only way for a woman to provide for herself decently is for her to be good to some man that can afford to be good to her.‎
Page 8 - For the right moment you must wait, as Fabius did most patiently when warring against Hannibal, though many censured his delays; but when the time comes you must strike hard, as Fabius did, or your waiting will be in vain, and fruitless.‎
Page 61 - With the single exception of Homer, there is no eminent writer, not even Sir Walter Scott, whom I can despise so entirely as I despise Shakespeare when I measure my mind against his.‎
Page 58 - I postulated as desirable a certain kind of play in which I was destined ten years later to make my mark as a playwright (as I very well foreknew in the depth of my own unconsciousness) ; and I brought everybody, authors, actors, managers, to the one test: were they coming my way or staying in the old grooves ? Sometimes I made allowances for the difference in aim, especially in the case of personal friends.‎
Page 60 - This would be a very good thing if the theatre took itself seriously as a factory of thought, a prompter of conscience, an elucidator of social conduct, an armory against despair and dullness, and a temple of the Ascent of Man.‎
Page 153 - It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool's paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all...‎
Page 64 - Everything has its own rate of change. Fashions change more quickly than manners, manners more quickly than morals, morals more quickly than passions, and, in general, the conscious, reasonable, intellectual life more quickly than the instinctive, wilful, affectionate one.‎
Page 115 - The drama can do little to delight the senses : all the apparent instances to the contrary are instances of the personal fascination of the performers. The drama of pure feeling is no longer in the hands of the playwright: it has been conquered by the musician, after whose enchantments all the verbal arts seem cold and tame.‎