要找時間研讀 Hamlet 

To be, or not to be, that is the question:

Whether 'tis nobler in the mind to suffer

The slings and arrows of outrageous fortune,

Or to take arms against a sea of troubles

And by opposing end them. To die—to sleep,

No more; and by a sleep to say we end

The heart-ache and the thousand natural shocks

That flesh is heir to: 'tis a consummation

Devoutly to be wish'd. To die, to sleep;

To sleep, perchance to dream—ay, there's the rub:

For in that sleep of death what dreams may come,

When we have shuffled off this mortal coil,

Must give us pause—there's the respect

That makes calamity of so long life.

For who would bear the whips and scorns of time,

Th'oppressor's wrong, the proud man's contumely,

The pangs of dispriz'd love, the law's delay,

The insolence of office, and the spurns

That patient merit of th'unworthy takes,

When he himself might his quietus make

With a bare bodkin? Who would fardels bear,

To grunt and sweat under a weary life,

But that the dread of something after death,

The undiscovere'd country, from whose bourn

No traveller returns, puzzles the will,

And makes us rather bear those ills we have

Than fly to others that we know not of?

Thus conscience doth make cowards of us all,

And thus the native hue of resolution

Is sicklied o'er with the pale cast of thought,

And enterprises of great pith and moment

With this regard their currents turn awry

And lose the name of action.

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The soliloquy “To be, or not to be” is a speech given by Prince Hamlet in William Shakespeare's play Hamlet. The speech appears in Act 3, Scene 1, also known as the “nunnery scene”. In the soliloquy, Hamlet contemplates death and suicide, weighing the pain and unfairness of life against the alternative. The soliloquy contains some of Shakespeare's best-known words.

Hamlet has seven soliloquies in the play. In the first soliloquy, Hamlet bemoans the fact that he cannot commit suicide. He wishes that his physical self might cease to exist.

In another soliloquy, Hamlet thinks about his inability to act on his revenge. He decides he must change his course if he wants to avenge his father's death.