2019年5月30日 星期四

202 浮士德與特洛伊木馬的時代故事(The Legacy) Doctor Faustus and Other Plays ByChristopher Marlowe (1564-1593)



"O lente lente currite noctis equi.
The stars move still, time runs, the clock will strike,
The devil will come, and Faustus must be damned.
O I'll leap up to my God: who pulls me down?
See, see, where Christ's blood streams in the firmament.
One drop would save my soul, half a drop, ah my Christ."
Christopher Marlowe died #OTD 1593.
Doctor Faustus and Other Plays
Christopher Marlowe (1564-1593), a man of extreme passions and a playwright of immense talent, is the most important of Shakespeare's contemporaries.
YOUTUBE.COM
浮士德與特洛伊木馬, 是西方著名的經典(文化遺產).…


2019年5月28日 星期二

The Cambridge Companion to Oscar Wilde




The Cambridge Companion to Oscar Wilde

Front Cover
Cambridge University PressOct 16, 1997 - Drama - 307 pages
The Cambridge Companion to Oscar Wilde offers an essential introduction to one of the theater's most important and enigmatic writers. Although a general overview, the volume also offers some of the latest thinking on the dramatist and his impact on the twentieth century. Part One places Wilde's work within the cultural and historical context of his time and includes an opening essay by Wilde's grandson, Merlin Holland. Part Two looks at Wilde's essential work as playwright and general writer. The third group of essays examines the themes and factors that shaped Wilde's work and includes Wilde and his view of the Victorian woman, Wilde's sexual identities, and interpreting Wilde on stage. The volume provides a detailed chronology of Wilde's work, a bibliography for further reading, and illustrations from important productions.
More »
The Cambridge Companion to Ben Jonson
Richard Harp, Stanley Stewart

Contents

Table of Contents:
  • Biography and the art of lying / Merlin Holland
  • Wilde and the Victorians / Regenia Gagnier
  • Wilde and the Dandyism of the senses / Stephen Calloway
  • Wilde as poet / Karl Beckson and Bobby Fong
  • Wilde the journalist / John Stokes
  • Wilde as critic and theorist / Lawrence Danson
  • Wilde's fiction(s) / Jerusha McCormack
  • Distance, death and desire in Salome / Joseph Donohue
  • Wilde's comedies of society / Peter Raby
  • The importance of being earnest / Russell Jackson
  • A verdict of death: Oscar Wilde, actresses and Victorian women / Kerry Powell
  • 'A complex multiform creature': Wilde's sexual identities / Joseph Bristow
  • Wilde's plays: some lines of influence / Richard Allen Cave
  • Wilde on the stage / Joel Kaplan
  • Oscar Wilde: the resurgence of lying / Declan Kiberd.


VIII
3
IX
18
X
34
XII
55
XIII
57
XV
69
XVII
80
XVIII
96
XXV
179
XXVI
181
XXVIII
195
XXX
219
XXXII
249
XXXIV
276
XXXVI
295
XXXVII
299
XX
118
XXII
143
XXIII
161
XXXVIII
306
Copyright

Other editions - View all

Oct 16, 1997
Limited preview

Popular passages

Page 93 - A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing.
Page 63 - To drift with every passion till my soul Is a stringed lute on which all winds can play. Is it for this that I have given away Mine ancient wisdom, and austere control? Methinks my life is a twice-written scroll Scrawled over on some boyish holiday With idle songs for pipe and virelay, Which do but mar the secret of the whole. Surely there was a time I might have trod The sunlit heights...
Page 25 - Thirdly, even if the received opinion be not only true, but the whole truth; unless it is suffered to be, and actually is, vigorously and earnestly contested, it will, by most of those who receive it, be held in the manner of a prejudice, with little comprehension or feeling of its rational grounds.
Page 83 - She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her ; and trafficked for strange webs with Eastern merchants...
Page 24 - Secondly, though the silenced opinion be an error, it may, and very commonly does, contain a portion of truth; and since the general or prevailing opinion on any subject is rarely or never the whole truth, it is only by the collision of adverse opinions that the remainder of the truth has any chance of being supplied.
Page 277 - His language, so familiar and so foreign, will always be for me an acquired speech.
Page 76 - His countenance lives in my mind as one of singular beauty and brightness — it had an expression as if he had been looking on some glorious sight.
Page 190 - I loved you because you were marvellous, because you had genius and intellect, because you realised the dreams of great poets and gave shape and substance to the shadows of art. You have thrown it all away. You are shallow and stupid. My God! how mad I was to love you! What a fool I have been! You are nothing to me now. I will never see you again.

2019年5月26日 星期日

"Demon" 等 by Alexander Pushkin


Alexander Sergeyevich Pushkin (/ˈpʊʃkɪn/;[1] RussianАлекса́ндр Серге́евич Пу́шкинtr. Aleksandr Sergeyevich PushkinIPA: [ɐlʲɪˈksandr sʲɪˈrɡʲejɪvʲɪtɕ ˈpuʂkʲɪn] (About this sound listen); 6 June [O.S. 26 May] 1799 – 10 February [O.S. 29 January] 1837) was a Russian poetplaywright, and novelist of the Romantic era[2] who is considered by many to be the greatest Russian poet[3][4][5][6] and the founder of modern Russian literature.[7][8]


底下是舊俄曆的誤會例:

(Old Style (O.S.) and New Style (N.S.) are terms sometimes used with dates to indicate that the calendar convention used at the time described is different from that in use at the time the document was being written. )


Aleksandr Sergeyevich Pushkin died in St. Petersburg, Russia on this day in 1837 (aged 37). Pushkin was fatally wounded in a duel with his brother-in-law, and died two days later.
"What good is my name to you?
It will die, like the melancholy sound
Of a wave breaking on a distant shore,
Like night’s noises in the dense forest.
On the album page
It will leave a dead trace, like
The pattern of an epitaph on a tombstone
In an unknown language.
What good is it? Long forgotten
In new, stormy emotions,
It will not evoke in your soul
Peaceful, tender memories.
But... on a day of grief, in the silence
Pronounce it, pining;
Say: someone remembers me,
There is in the world a heart, in which I live..."
— Alexander Pushkin (5 January 1830) as quoted in PUSHKIN: A BIOGRAPHY by T. J. Binyon

In the course of his short, dramatic life, Aleksandr Pushkin gave Russia not only its greatest poetry–including the novel-in-verse Eugene Onegin–but a new literary language. He also gave it a figure of enduring romantic allure–fiery, restless, extravagant, a prodigal gambler and inveterate seducer of women. Having forged a dazzling, controversial career that cost him the enmity of one tsar and won him the patronage of another, he died at the age of thirty-eight, following a duel with a French officer who was paying unscrupulous attention to his wife.
In his magnificent, prizewinning Pushkin, T. J. Binyon lifts the veil of the iconic poet’s myth to reveal the complexity and pathos of his life while brilliantly evoking Russia in all its nineteenth-century splendor. Combining exemplary scholarship with the pace and detail of a great novel, Pushkin elevates biography to a work of art. READ an excerpt here: https://www.penguinrandomhouse.com/…/13660/pushkin-by-t-j-…/


"Demon" by Alexander Pushkin
In bygone days when life's array -
The sweet song of the nightingale
And maidens' eyes, the rustling woods - 
Still left a fresh impression on me,
When loftiness of feeling,
And freedom, glory, love
Artistic inspiration
So deeply stirred my blood,
My times of hope were cast in shade
And pleasure dimmed by longing,
For it was then an evil genius
Began to pay me secret visits.
Our meetings were quite dolorous:
His smile, his glance mysterious,
His venom-filled and caustic sermons
Poured frozen poison in my soul.
With endless slandering remarks
He tempted Providence;
He claimed that beauty's but a dream;
Felt scorn for inspiration;
He had no faith in love or freedom;
He looked on life with ridicule-
And in the whole of nature
He did not wish to praise a single thing.


*****

"The clock of doom had struck as fated;
the poet, without a sound,
let fall his pistol on the ground."
--from "Eugene Onegin" (1833)


Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series



An excellent video that was published last month by Smarthistory. Join a tour of Edward Burne-Jones' Briar Rose series. https://www.youtube.com/watch?v=2zw3Z8HLCNQ
YOUTUBE.COM

Sleeping Beauty — but without the Kiss: Burne-Jones and the Briar Rose series